My new desktop.
Friendly reminder that Dia de Los Muertos is pretty much a funeral, and the dead being represented in the holiday are actual dead people who had families and friends and hopes and dreams. So just as you wouldn’t throw on black clothes and join a group of mourners because they look so fashionable in black, you shouldn’t paint your face and put marigolds in your hair and make altars because it looks cool to you. Thank.
The installation piece Ben Cuevas chose to showcase at The Wassaic Project features a knitted skeleton seated atop a pyramid of Borden’s condensed milk cans and a cloud of screen prints on Plexi glass suspended above it. The knitted skeleton is seated in the lotus position. The prints are of disembodied anatomical parts photographed in high resolution with diagrammatic illustrative overlays. Ben conceives of the piece as a reference to material culture and Wassaic’s local history (The Borden Company had a condensed milk factory in Wassaic) and a meditation on transcendence.
About: Ben Cuevas is a Los Angeles based interdisciplinary artist whose work spans a wide range of mediums including installation, sculpture, fiber, photography, video, performance, and sound. Often incorporating several of these elements into any given piece, he makes use of digital media as a means of documentation. In light of its pluralistic qualities, he sees his work as a reflection on the condition of embodiment, exploring what it means to have a body, to inhabit a body, to be a body incarnated in, and interacting with this world.
Has anyone figured out the pattern for kira’s red vest in the early seasons of deep space 9? Bajorans are often wearing crochet clothes and I love it. I would like to ” replicate” these clothes someday.
Disarming Design from Palestine is an inclusive design label that presents functional products from Palestine, that provide an alternative narrative from what you might usually find in the high street. The collection includes objects such as hourglasses that use cement from the separation wall, a dress made out of one keffiyeh, embroidered car decorations, scarfs depicting landscapes, olive leaves as earrings and an impossible chess game with water tanks and watch towers. The growing collection of products is presented on-line and through a traveling exhibition.*
As a collection it aims to represent Palestinian culture in its current reality and reflect upon the function of art in situations of conflict.
The goods are developed, designed and produced by contemporary designers, artists and students in collaboration with local artisans and producers.
During several ‘create-shops’ they engage in an enriching design dialogue with small emerging businesses and international colleagues. The project aims to catalyze the development of design as a discourse in Palestine.